Afterlife of the Theatre of the Absurd

Contents: Introduction - Comedy in Unexpected Places: Ionesco’s The Bald Soprano (1950) - Remembrance Through Rejection: Active Nihilism, Vietnam, and Adamov’s Off Limits - Psychotic recuperations of a multi-racial feminism in Beckett’s Not I (1972) - Genet’s The Blacks: Remixed at the Intersection of Gender and Race - Queering the Carceral and Assaulting America’s Prison Industrial Complex: Arrabal’s And They Put Handcuffs on the Flowers