Beschreibung
It is the first monograph in which the concertos of all composers active in this field in the Republic of Venice in the years 1695–1740 are methodically discussed. The Venetian instrumental concerto from Vivaldi’s time is portrayed here through an extensive and thorough survey of the most complete and representative musical material that allowed for the making of conclusions as to its typology, form, style and technique. The concertos discussed here include 974 works by fifteen composers active in Venice, Brescia, Bergamo and Padua. Such an approach not only gives an exhaustive but also a more objective view on the history of the Baroque concerto in its Venetian variant. It shows Vivaldi’s work in a new and broad context, which allows us to better understand its unique character.
Autorenportrait
Piotr Wilk is a Polish musicologist, associate professor in the Institute of Musicology of the Jagiellonian University. He specialises in the history of Baroque instrumental music. In this regard, he published pioneering critical editions of Uccellini and Subissati sonatas, along with a monograph on sonata for solo violin in seventeenth-century Italy.
