Inhalt
STARTING HYPOTHESIS, OBJECTIVES, THEORETICAL AND METHODOLOGICAL FOUNDATIONS, FUNDAMENTAL CONCEPTS AND STRUCTURE OF THE BOOK — CRISIS, FEAR, AND XENOPHOBIA IN HORROR CINEMA — CRISIS AND FEAR IN KING KONG — NOSTALGIA FOR THE ORIGIN — KING KONG AND THE INTERNAL AND EXTERNAL FEAR OF THE OTHER — FEAR OF THE BLACK RACE — MALE FEAR OF WOMEN — CRISIS, OR WHERE WE COME FROM AND WHERE WE ARE GOING — BIBLIOGRAPHY .
