Beschreibung
Cinema has played a key role in articulating the impact and legacies of the so-called
in Italy, the years of intra-national political terrorism that lasted from 1969 until well into the 1980s.
offers an analytical exploration of Italian cinema’s representation and refraction of those years, showing how a substantial and still growing corpus of films has shaped the ways in which Italians have assimilated and remembered the events of this period.
This is the first monograph in English on terrorism and film in Italy, a topic that is attracting the interest of a wide range of scholars of film, cultural studies and critical terrorism studies. It provides novel analytical categories for an intriguing corpus of films and offers careful accounts of works and genres as diverse as
,
, the
(cop film) and the
. The author argues that fiction film can provide an effective frame for the elaboration of historical experience but that the cinema is symptomatic both of its time and of the codes of the medium itself – in terms of its elisions, omissions and evasions as well as its emphases. The book is a study of a body of films that has elaborated the experience of terrorism as a fascinating and even essential part of the heritage of modern Italy.
Autorenportrait
Alan O’Leary teaches Italian film and modern culture at the University of Leeds. He has published extensively on terrorism in Italian cinema, including an Italian monograph (also entitled
, 2007) and an edited volume,
(with Pierpaolo Antonello, 2009), as well as on contemporary popular Italian film (the ‘cinepanettone’). He co-edits the annual film issue of
.
Leseprobe
Leseprobe
Inhalt
Contents:
– Italian Terrorisms/Italian Film – Locations of Moro: The Kidnap in the Cinema – Filming
– Patriarchy Postponed – Sexing the Terror – Constituencies of Memory – Inhaltsverzeichnis
