Beschreibung
Sinje Dillenkofers (b. Neustadt a.d.W., 1959) body of work ARCHIVES VIVANTES inquires into the idea of the archive, harnessing the means of visual art to allow us to see and perceive what the archive does not reveal. With staged photographs that combine conceptual rigor with a wide spectrum of creative techniques and devices, Dillenkofers pictorial essay turns the spotlight on specimens, artifacts, graphic art, and writings compiled by the explorer and naturalist Alexander von Humboldt (1769-1859) and the ornithologist Carlo von Erlanger (1872-1904). Examining the archive as a model of nature and reality as well as a mirror of human nature, the artist develops compositional ideas inspired by the peculiar features of the objects in the collections in visual analogies, pictorial spaces, and spatial compositions. Animals and plants that died long ago in the service of science are vividly embodied through the distinctive use of light and shadow. The resulting pictures consider the archive in a new context, framed by our complex relationships with nature, humankind, society and its values and ideals, circumstances and constellations of power. The pictures were taken in six German collection archives: at the Museum bei der Kaiserpfalz Ingelheim, the Naturhistorisches Museum Mainz, the Senckenberg Forschungsinstitut und Naturmuseum Frankfurt, the Stadtmuseum Berlin, and the Stuttgart State Museum of Natural History. Dillenkofer was the first artist to be invited by the Berlin State LibraryPrussian Cultural Heritage to translate Humboldts American travel diaries into art.
Autorenportrait
Sinje Dillenkofer studierte an der Akademie der Bildenden Künste Stuttgart und unterrichtete an Hochschulen und Kunstakademien. Ihre Arbeiten befinden sich u.a. in den Sammlungen des Victoria & Albert Museum, London, des ZKM | Zentrum für Kunst und Medien Karlsruhe, der Staatsgalerie Stuttgart und der Berlinischen Galerie.
