Dramatic Minds
Performance, Cognition, and the Representation of Interiority
Coelsch-Foisner, Sabine / Huber, Werner / Mettinger, Elke / Zettelmann, Eva
Erschienen am
28.09.2015
Beschreibung
This collection adopts a cognitive approach to the study of drama. Analyses range from the medieval stage to 21st century Anglophone drama and provide a cognitive reading of characterisation, interiority, performativity, decoding strategies, empathy, immersion, reader manipulation and audience control.
Inhalt
Contents: Monika Fludernik:
Consciousness in Drama: A Cognitive Approach – Eva Zettelmann:
Drama and the Representation of Fictional Minds – Gabriella Mazzon:
Strategic Communication of Pathos and Suffering in Verbal and Visual Medieval Culture – Elke Mettinger:
«Now is this golden crown like a deep well» -
from a Cognitive Point of View – Sabine Coelsch-Foisner:
: Personality and Personality Building in Shakespeare’s Tragedy and Verdi’s Opera – Michael Raab:
The
Trap: Productions of Shakespeare’s Play in England, Germany, Austria and Switzerland – Christa Knellwolf King:
Aimé Césaire’s Subversion of the Imperial Scripts of Shakespeare’s
– Dieter Fuchs:
The Script of the Body and the Soul in
and
: the ‘Cognitive Turn’ from Restoration Drama to Sentimental Fiction – Caterina Grasl:
The (Im)Possible Worlds of Joe Orton: A Cognitive Approach to
– Bernhard Reitz:
«I understand you not, my lord.» - Problems of Cognition and Perception in Tom Stoppard’s Plays – Wolfgang J. Lippke:
John Arden and Margaretta D’Arcy - A Cognitive Approach – Ewald Mengel:
Pinter’s One-Act Plays
,
, and
in the Light of Conceptual Blending Theory – Merle Tönnies:
Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama – Eckart Voigts:
«Dennis is a Liar» - Mendacity in the Plays of Dennis Kelly – Christopher Innes:
Breaking the Boundaries of Narrative: Post-Dramatic Story-Telling – Peter Zenzinger:
Parapsychic Phenomena in Early Twentieth-Century American Drama.