Inhalt
CONTENTS: Barry Houlihan: Introduction: The Potential of the Archive – Cillian Joy/Tricia O’Beirne: The Abbey Theatre Minute Book Transcription Project: Digitally Reading the Administrative Record of Irish Theatre –Ciara Conway: Staging Absence for Digital Historiography: Feminist Irish Theatre – Martin Bradley/John Cox: The Abbey Theatre Archive Digitisation Project at NUI Galway: Delivering Mass Digitisation of a Multimedia Archive with Positive Academic and Library Impact – Freya Clare Smith/Hugh Denard: Digitally Re-envisioning Lost Theatre Spaces: Dublin’s Theatre Royal – Barry Houlihan: «Creatures of his Imagination»: The Becoming of Plays and the Archive of Thomas Kilroy – Emer McHugh: A Shared Language: Placing and Displacing Shakespeare in the Irish National Theatrical Repertoire – Ruud van den Beuken: «Three cheers for the Descendancy!»: Middle-Class Dreams and (Dis)illusions in Mary Manning’s
(1934) – Brenda Donohue: Women and the Archive: What Vision of the Present Will Be Preserved for the Future? – Anne Etienne: «I Remember»; «I Forget»; «I Can’t Forget»: Oral History, the Archive and Remembering Corcadorca’s
– Conor O’Malley: Performing the Troubles at the Lyric Theatre, Belfast, 1969–1981 – Kieran Cronin/Elizabeth Howard: Identity, Legacy and the Official: Power Relations of the Documented and Undocumented in the Red Kettle Theatre Company Archive – Colin Murphy: Sometimes the Archive Lies – David Clare: Compiling a New Composite Draft of J. M. Synge’s
